tag:blogger.com,1999:blog-90173623563478433052024-03-13T05:36:59.596-07:00The Literary Lynnch PenA Literary Website based on the weekly newsletter published by Lynn Tincher.The Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.comBlogger58125tag:blogger.com,1999:blog-9017362356347843305.post-31837179093604081102009-11-14T10:25:00.000-08:002009-11-14T10:26:08.538-08:00Studying Human Behavior - L. Diane WolfeA story's characters and their interactions is the most important aspect in any book. In order to make them appear real to the reader, the actions and motives of the characters must be believable. This is why the most important research a writer can ever conduct is the study of human behavior.<br /> <br />Fortunately, the options available are almost as plentiful as humans themselves! Consider the following resources when writing your story and you'll discover a whole world of opportunities.<br /> <br />Books on human behavior<br />· Personality Plus by Florence Littauer - excellent guide to human behaviors based on personality types<br />· Men Are From Mars, Women From Venus by John Gray<br />· The Five Love Languages by Gary Chapman<br />· Bringing out the Best in People/The Friendship Factor by Alan Loy McGinnis<br />· The Disconnected Generation by Josh McDowell - great for understanding teen behavior<br />· And any other relationship, personality, or inspirational book that provides human behavior insights<br /> <br />Observation - how do real people react under similar circumstances?<br />· Follow the actions of a person similar to your character - remember, no stalking!<br />· Examine the past and present behavior of family and friends<br />· Observe humanity through the news - this will provide a worldly view<br />· Watch people in public places such as sporting events, restaurants, grocery stores, churches, etc.<br />· Wherever you find people, you'll find opportunities to study human behavior if you just take the time!<br /> <br />Research<br />· Search for events in your story (online, in books, etc.) - you will discover a plethora of human reaction and behavior available<br />· Non-fiction books with accounts of people enduring the same challenges found in your story<br />· Websites devoted to the discussion of human behavior or dealing with an aspect of the human equation<br />· Online forums and live discussions - find discussions on your story's topics or pose the questions yourself<br />· Interview real people in positions or circumstances similar to your character's situation<br /> <br />Utilize as many of the tools listed as possible, and don't forget that human behavior is best studied through live interaction. Not only will you develop believable characters - you'll grow as a person as well. And you might just discover you enjoy the fascinating world of human behavior!<br /> <br />- Author & professional speaker, L. Diane Wolfe<br />www.spunkonastick.net<br />www.thecircleoffriends.net<br />www.circleoffriendsbooks.blogspot.comThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com3tag:blogger.com,1999:blog-9017362356347843305.post-8755301779336867932009-08-16T08:57:00.000-07:002009-08-16T08:58:10.438-07:00Writing Dialog - L. Diane WolfeDialogue is a vital element in most any story. The verbal interaction of the characters reveals much about each person – past events, feelings, beliefs, intentions, etc. Since we cannot hear the characters speaking, we rely on printed dialogue for clues regarding intelligence, education level, and physical location. As we can see, authors must convey a tremendous amount of information with the spoken word!<br /><br /> <br /><br />Since writing dialogue can be a struggle, here’s a few tips to keep our character exchanges fresh:<br /><br /> <br /><br />1- Remember that most people do not speak proper English. (Or any language.) What we were taught in school might transfer well onto paper, but we don’t always employ those rules in our speech. Proper grammar states “Turn on the light,” but most people tend to say, “Turn the light on,” instead. We overuse words. Our participles dangle. We use past and present tense in the same sentence – sometimes twice!<br /><br /> <br /><br />If our character is a college professor or a man of higher learning, he will likely use proper grammar. However, the average person will be more lax with his verbal skill. Realize that it’s all right to let some rules fall by the wayside when writing dialogue. We are trying to relate to our readers, not impress our English teachers. Allow dialogue to flow freely and naturally.<br /><br /> <br /><br />2- Research the time period of the story for proper usage of words. Our languages changes almost as rapidly as technology, and those advances bring a whole slew of new words. Ten years ago, people did not use the word ‘texting,’ and twenty years ago, most did not even possess a cell phone.<br /><br /> <br /><br />It goes beyond breakthroughs in science, though. Slang words have evolved over time, and where and how often they were used has changed. Our spoken language has become more relaxed and many subjects no longer taboo. If our dialogue is to sound authentic, we must research the time period. Watch a movie or read a book that was created during that specific moment in time. Avoid current books and movies based on past decades, as they will not provide an accurate representation. If our story is set in the far past, we may have to conduct some creative research! However, the resulting dialogue will sound far more authentic and immerse our readers into the story.<br /><br /> <br /><br />3- Hand write all dialogue. Occasionally, the computer screen sabotages our creative efforts. As we type our thoughts, Mr. Spellcheck goes to work highlighting our mistakes. This can either distract us as we backspace to fix errors or inhibit us as we type slower to avoid such blunders. Either way, our creative flow is disrupted and realistic dialogue becomes more challenging.<br /><br /> <br /><br />By hand-writing scenes with extensive dialogue, we’ll find our words flow more freely. The pressure to write with perfection is eliminated, opening the door for more natural exchanges.<br /><br /> <br /><br />4- Speak the dialogue out loud and record the conversation. This is perhaps the most effective means by which to capture natural dialogue! Written lines can sound stiff and impersonal, but when we say those words aloud, the natural ebb and flow of conversation becomes apparent. It reveals awkward and unnecessary phrases. And the more we exhibit that character’s personality, the better we will hear how that person speaks in real life.<br /><br /> <br /><br />If this is a challenge to do solo, entice a friend or family member to help. A basic written outline of the dialogue can be used to guide the overall conversation. Allow that person the freedom to change the wording as he sees fit and bounce naturally off one another’s responses. An even more effective trick would be to video tape the entire scene to capture gentle nuances and gestures as well.<br /><br /> <br /><br />Good dialogue is essential if we are to connect with our readers. We must communicate our character’s voices clearly, accurately, and in a believable manner. Otherwise, we may find our readers offering a few choice words instead!<br /><br /> <br /><br />- Author & professional speaker, L. Diane Wolfe www.spunkonastick.net www.thecircleoffriends.net www.circleoffriendsbooks.blogspot.com<br /> <br /> Copyright 2009 L. Diane WolfeThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com3tag:blogger.com,1999:blog-9017362356347843305.post-57405797798557282862009-06-29T16:05:00.000-07:002009-06-29T16:06:16.873-07:00Structuing Our Life - L. Diane WolfeToday, everyone is busy. Technological advancements, meant to make our life easier, tend to take away precious hours. Job and family commitments can multiply and eat us alive. Often there is precious little time remaining for our writing careers. To find a suitable balance, we must create structure in our lives.<br /><br /> Balance does not imply that every aspect receives and equal slice of the proverbial pie but rather adequate attention. Meeting one need may require ten minutes while another demands three hours. Before we begin slicing and doling out our time, we must first determine what components are truly important.<br /><br /> The best way to accomplish this task is to form a list. What do we value? What goals must be achieved? Consider the very basics first. Sleep and work (if we are employed) will take the greatest chunk of our day. Add family commitments to the list. If married, this includes our spouse! Don't forget household chores or omit physical activities or relaxation. Finally, list all aspects of writing, from creating to promoting.<br /><br /> Before we divide our valuable time, what can we eliminate? Do we need to curtail certain activities? Are there duties that can be passed along to someone else? Once our list has been reduced to manageable levels, we can divvy the hours, remembering that we only have twenty-four at our disposal.<br /><br /> Now that we understand what we'll do with our day, we need to determine when we'll accomplish each item on the list. While certain tasks remain unmovable, we should design our schedule to showcase our best side. Avoid regulating family to a time when we are exhausted or exercise to a slot we'll only ignore. Our writing time is no different, and whether it's the middle of the night or right after lunch, we should schedule it during our peak performance hours.<br /><br /> Ironically, there will be many days when we are unable to follow our carefully planned schedule. The life of an author can be quite chaotic at times! However, we need a base on which to build. It's easier to alter an existing schedule that to create a new one each day from scratch!<br /><br /> A calendar is an author necessity! It is the only means by which to keep track of commitments, both in the real and virtual world. Miss one or two appearances and we'll soon discover no one wants to book an irresponsible author! Setting two appointments for the same time slot is another disaster we want to avoid. A calendar will keep us on track and ensure we don't miss family or work commitments either.<br /><br /> Since each new day presents a different set of tasks, maintain a to-do list. This will prevent that unique item from slipping through the cracks and into oblivion. Compile the to-do list the night before and don't be afraid to write down future tasks for the days ahead. If we tackle the most important items first, then we know they will be completed. Interspersing a few five-minute projects throughout the list will speed our progress and buoy our sense of accomplishment in the process.<br /><br /> By now it's obvious that we need to establish a framework in all areas of our life. With structure, a schedule, and a to-do list, we are better prepared to complete our writer and author duties. We are more likely to write for two hours if we've designated a time and placed it on our list than if we simply intend to make the effort at some point. Through repetition, many tasks will become part of our daily routine. Once we've established a pattern, accomplishing our goals will be much easier!<br /><br /> Our greatest enemies at this point are distractions and time stealers. Situations will arise when a diversion momentarily derails our progress. Unless it's an emergency or has the potential to change our life forever, we shouldn't focus on distractions. Time stealers are much more subtle. Ten minutes on a social site turns into thirty; an email sends us on a frantic goose chase for an hour; a phone call eats up our entire afternoon. We must be on the lookout for distractions and mindless time stealers or they will consume all of our carefully laid plans.<br /><br /> Authors and writers exist in a unique world, one that can be quite chaotic at times. However, we are happier and more productive when there is balance and structure in our life. Designing a schedule that can be easily followed sets us up for greater success! <br /><br /> - Author & professional speaker, L. Diane Wolfe www.spunkonastick.netwww.thecircleoffriends.netwww.circleoffriendsbooks.blogspot.com<br /> Copyright 2009 - L. Diane WolfeThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com2tag:blogger.com,1999:blog-9017362356347843305.post-33918387617397522632009-05-18T10:02:00.000-07:002009-05-18T10:03:01.686-07:00Sub-PlottingHow do you create a sub-plot in novel?<br /><br />One easy way is to write other chapters showing the different viewpoints of other characters or an alternative timeline of a memory of your main character. It is by these conventions that you can introduce new ideas that develop into new sub-plots.<br /><br />Have you sub-plots work their way through the novel. The paths can cross at several times throughout. Sometimes, you sub-plot can take over as the main plot for time to time so that your reader will want to keep turning the page to see how all of these things come together in the end.<br /><br />Be careful not to give too much away. You reader should not be able to put all of the pieces together until you, the author, want them to. Remember that the sub-plots should tie things up at the end or give way to a new route for a sequel if that is your goal.<br /><br />If you have an old novel or a stalled one, take another look at it. See if a sub-plot could breathe new life into it. It may be that your new sub-plot could end up being a newly refreshed main plot you book desperately needed. You never know, until you try!<br /><br />Copyright 2009 - Lynn TincherThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com1tag:blogger.com,1999:blog-9017362356347843305.post-6234964805013068682009-05-14T15:17:00.000-07:002009-05-14T15:18:23.370-07:00Plotting - Lynn TincherDictionary.com defines the term plot as this:<br /> <br />1. A secret plan or scheme to accomplish some purpose, esp. a hostile, unlawful, or evil purpose: a plot to overthrow the government.<br /> <br />2. Also called storyline.The plan, scheme, or main story of a literary or dramatic work, as a play, novel, or short story. <br /> <br />Think of a plot as a roadmap to take your reader from the beginning of your story to the end. Nothing should happen at random. Every element should have significance and be purposeful. Each character has an agenda. We should be able to see why they care about the situation. The main plot of a story is the combination of the plots of its individual characters. <br /> <br />Each character has a personal agenda that changes based on the agendas of others. Foreshadowing is a great tool to lead your reader along the plot line. The trick is to put the plot into your story without the reader knowing about it or its importance. Remember that you are telling a story and stay on track with the story you're telling. <br /> <br />The protagonist must take charge of the story and its events eventually. They may be passive for a while, learning, scheming, and the like but they have to take charge. Every event, every thought, every happening must lend to the plot line and its characters development. Have fun with all of the devious little ways to coax and tease the reader along.<br /><br />Copyright 2009 - Lynn TincherThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com0tag:blogger.com,1999:blog-9017362356347843305.post-5209760134242050342009-05-04T15:19:00.000-07:002009-05-04T15:20:37.451-07:00Character Interaction by Lynn TincherThere are several ways that characters in you story can interact. Not only do they speak to each other, they exchange glances, or glares, hold hands, pat on the back, or punch each other in the face.<br /> <br />The important thing is to define your character. Create an outline on a separate piece of paper that will help guide you in the behavior of your character in different situations. Is your character hot headed? If so, keep that in mind when they run up against obstacles.<br /> <br />Dialog is a very important tool for character interaction. Wikipedia describes dialog as this: A dialogue (sometimes spelled dialog) is a conversation between two or more people. It is also a literary form in which two or more parties engage in a discussion. It is used to make a person feel like they are there listening to the conversation happen in person.<br /> <br />Venture out to your favorite restaurant or social gathering. Listen in. Yes, I'm telling you to eaves drop. If you don't want to keep notes, carry around a small recorder and tape the conversation around you. Study up on how people talk to each other, their inflections, stutters and pauses. This will help you construct dialog that flows well and is believable.<br /> <br />This is not all dialog does. It's a great way to give vital information. The inflection or vocabulary used can help define education, social standing, or belief systems of your character. Make sure that your dialog stays in character. If your character is uneducated, don't have him citing physics.<br /> <br />Be very careful when using "bookisms". For example, don't have your character sigh or yawn their way through every sentence they speak. Also you want to be careful using adverbs like John said angrily or Jane said warily.<br /> <br />Be aware that most characters do not use the person's name when speaking to someone.<br /> <br />"George, you ate all of your peas!"<br />"I did, Mom."<br />"I'm very proud of you, George."<br /> <br />Info-dumping is another technique to avoid. Characters are not going to tell each other everything they know. Rely on memories. Some information is necessary, but make sure to over using dialog to explain background details or recaps. This type of dialog can lose a reader. It seems false and lifeless.<br /> <br />Don't forget to use the word said. Said is a word that our brains see as invisible yet it lets the reader know who spoke. As with all of the others mentioned, do not overuse any of them in your writing. Use them in moderation. Rules are made to be broken but not demolished. A great piece of writing will include variations of everything mentioned above. Keep it interesting.<br /><br /><br />Copyright 2009 - Lynn TincherThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com1tag:blogger.com,1999:blog-9017362356347843305.post-3698550813775813912009-04-20T09:03:00.000-07:002009-04-20T09:49:05.323-07:00Finding Your Market - Lynn TincherHaving trouble finding a market for something you have already written? Are you trying to figure out what market to write for? You may even be asking yourself, "What the heck is a market?" <br /><br />OK, let's define what a market is first. The NetMBA center defines a market as: In marketing, the term market refers to the group of consumers or organizations that is interested in the product, has the resources to purchase the product, and is permitted by law and other regulations to acquire the product.<br /><br />One of the keys to success is understanding yourself and what you write about. You need to understand what you are trying to accomplish with your writing. Also, who are the types of people you would like to reach. Once you have all of this determined, you can begin your research to find the areas to target.<br /><br />Make friends and contacts in similar areas. By building a network, you will build credibility and get advice along the way. <br /><br />Once you have your list of possibilities, you can begin the querying process. Stay positive. You will get turned down several times before something sticks. Believe in yourself and you'll make it!<br /><br />Meanwhile, I found a fabulous article that is full if helpful information. Stop by and check it out.<br /><br />PoeWar<br /><br />Good luck!<br /><br />Copyright 2009 - Lynn TincherThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com0tag:blogger.com,1999:blog-9017362356347843305.post-53638278411372181972009-04-13T17:23:00.001-07:002009-04-13T17:24:23.417-07:00Finding Our Voice by L. Diane WolfeFinding Our Voice <br /><br />These words mean different things to different people. Finding our voice implies our own unique style of storytelling. Where does our voice begin and how can we bring it to the surface? <br /><br />We must first consider the origins of our writing style. For many, this begins with the books we’ve read in the past. Over the course of our life, we devour and experience numerous authors. As our tastes mature, we develop favorites and discard those with less appeal. While some may enjoy a wide variety of authors, many settle into a comfort zone with their reading material.<br /><br />Once we decide to embark on a writing path, we often emulate a favorite author or style. Almost subconsciously, we imitate the dialogue and description. Since we enjoy and find pleasure in that person’s books, we strive to recreate that feeling in our own work. The flow of our story will contain similar ebbs and wander over a familiar course.<br /><br />Along the way, college, critique groups, and specialized training further our writing abilities. Our capability as a storyteller grows, continually shaping our writing style. Experience teaches us new tricks and polishes our talent. This also affects our writing style. Even our choice of genre will affect the sound of our voice.<br /><br />Through all of these experiences, we slowly discover a style that is uniquely our own. Successful authors develop their style early, using it to their advantage to reach their audience. Never forget the lessons learned regarding proper writing and grammar. However, we must maintain the appropriate flow of our story without stifling creativity. Our voice will gradually take shape as we settle on a level that is both comfortable and yet still makes us stretch. Even as we rely on our knowledge, ultimately, we must be true to ourselves.<br /><br />I believe the key to finding our voice resides in our passion. If our subject matter excites and moves us, it will become very apparent in our work. Just as a reserved individual will come to life when someone hits his hot button, so our words must embody this inner enthusiasm. When our dedication and passion flow freely, our personality will literally shine in our work. We may not excel as expressing ourselves verbally, but on paper, we burst forth with life. This gives rise to a voice that is uniquely our own.<br /><br />We cannot forget proper writing techniques. But by leaving inhibitions behind, we will find our true voice, and it will come from the heart!<br /><br />- Author & professional speaker, L. Diane Wolfe www.spunkonastick.net www.thecircleoffriends.netThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com1tag:blogger.com,1999:blog-9017362356347843305.post-5416450506600815682009-04-06T17:15:00.001-07:002009-04-06T17:15:44.397-07:00Name GeneratorsHaving trouble coming up with names for the characters in your story? I've spent hours agonizing over possibilities. I have even been known to take employee listings from work and pick names from the sheet. In fact, in my first book I picked the name of my first victim that way. Later I met the employee and soon started dating him. Needless to say, the victim's name had to change.<br /> <br />There are plenty of other ways. You can scan web pages, news articles and baby books. Ask around. I've posted things on social networks asking for unique names before. You would be amazed at the ideas that come up.<br /> <br />If you are writing a Fantasy or Sci-Fi novel, or even anything in which you want a unique name, use a name generator to help create it. You can combine names that mean something to your character. Here's an example of a name generator website. http://www.seventhsanctum.com/index-name.php There's plenty of information on this website that will help you come up with something.<br /><br /><br />Copyright 2009 Lynn TincherThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com1tag:blogger.com,1999:blog-9017362356347843305.post-56798558496936515132009-03-30T16:00:00.000-07:002009-06-29T16:08:00.787-07:00The Literary Lynnch Pen ArchivesPlease follow this link to view all past issues of The Literary Lynnch Pen!<br /><br />http://www.lynntincher.comThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com0tag:blogger.com,1999:blog-9017362356347843305.post-72282592355191909642009-03-30T15:18:00.001-07:002009-03-30T15:18:29.248-07:00Writing a Synopsis - Lynn TincherWriting a synopsis can be harder than writing the book itself. A synopsis should introduce the central characters and be a breakdown of the main plot and storyline. Sometimes it is difficult for authors to take a big step back and see the whole picture and then condense it into a synopsis.<br /> <br />There are many different types of a synopsis from a single sentence to an expanded version. It is beneficial to write different ones for every length possible. Sometimes it is easer to write the expanded version, and then scale back layer by layer to get to the one sentence that grasps the story. Don't forget your hook!<br /> <br />If you are writing to an editor, make sure to tell them every thing that happens. Yes, even your spoilers. They want to know if you have written a great story and have delivered on your hook.<br /> <br />Here are several great websites that will help you develop your synopsis and good luck. This was a tough one for me!<br /> <br />http://www.essortment.com/all/synopsiswriteb_rqmx.htm<br />http://www.fictionwriters.com/tips-synopsis.html<br />http://www.writing-world.com/publish/leblanc.shtml<br /><br /><br />Copyright 2009 Lynn TincherThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com1tag:blogger.com,1999:blog-9017362356347843305.post-26060791223002653752009-03-23T09:08:00.001-07:002009-03-30T15:15:01.843-07:00Pacing Your Story - Lynn TincherThink of pacing in writing as much the same as the movement of a piece of classical music. Some of the music is fast and furious while some parts are slow, allowing the listener to catch their breath. Writing a story or a novel can be much the same.<br /> <br />The beginning or your story should contain the hook. This is the part that makes your reader want to read more. You can start off with guns-a-blazing in an action packed sequence or you can start off slow; planting questions in the reader’s mind.<br /> <br />As far as pacing in the development of your story, have several scenes or chapters of action or conflict. Then slow the action down from time to time so the reader can have a break. Constant, non-stop action can have its benefits but it also does not always draw the attention of the reader. The reader can get worn out and lose interest. <br /> <br />Use different writing conventions to help speed up or slow down your actions. A change in verb tense from past to present tense can slow the action down. Adding dialog is another great way to change pace.<br /> <br />Adding more description can help slow the pace down and then add action to speed it up again. You can begin by describing the scene in detail. For example, describe the sea breeze causing the palm trees to sway as the seagulls call in the distance. By introducing the character talking to the bartender in the Tiki hut, you’ve introduced the beginning of the action and the pace can pick up from there.<br /> <br />If you have developed your characters and their motives first, it is easier to develop the pace of the story around them. In the end, answer your questions and develop some sort of finality. If you would like to leave it open, ask more questions or leave something unresolved. Most importantly, have fun.<br /><br />Copyright 2009 Lynn TincherThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com0tag:blogger.com,1999:blog-9017362356347843305.post-13191294234370306232009-03-02T16:20:00.000-08:002009-03-30T15:15:25.237-07:00Points of View - Lynn TincherPoints of View - by Lynn Tincher<br />www.lynntincher.com<br /> <br />Determining your point of view in writing is a crucial element in the way your story is told. There are three basic points of view: First Person, Second Person and Third Person.<br /><br />The first person point of view means the story is told from the "I" perspective. This can bring your readers on a personal level with the narrator. Readers are experiencing things through the eyes of the main character.<br /><br />The second person point of view means that the story is told from the "you" perspective. This is OK in small doses in your writing unless you've mastered storytelling in this manner.<br /><br />The third person point of view consists of several perspectives. The third person limited means that the story is told through the main character's eyes in past tense. Experiences are told through the main character's eyes without any shifts to other characters. The third person subjective multiple viewpoint means that the story can be told in multiple viewpoints from multiple characters. The Third Person Mixed Omniscient point of view means the author takes a high level view of the characters and the story. The story is not told through any character's eyes but through a narrator.<br /><br />There is no rule saying that stories have to be written in any one point of view or that they cannot be written from mixed perspectives. Make sure that you keep your target audience in mind as well as your goals when selecting a point of view to write from.<br /><br />Copyright 2009 Lynn TincherThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com0tag:blogger.com,1999:blog-9017362356347843305.post-68601056157969112222009-02-23T16:53:00.001-08:002009-03-30T15:15:39.943-07:00Critiquing - Lynn TincherCritiquing can be a very hard thing to do. According in Wikipedia, the term critique derives from the Greek term kritik, meaning "discerning judgment", usually of the value of something. How do you judge the value of writing when it is a subjective art form?<br /><br />Remember if you are asked to critique something, you are judging the work, not the author. Be honest but respectful. Offer suggestions for improvement if you find something bothersome or suggest alternative plot lines or character actions. Do not just offer up what you think is faulty or ineffective. Above all, you must respect the author and their own story. <br /><br />Make sure you ask questions, if appropriate, to better help your understanding if what you are being asked to critique is a part or overview of a larger story. Make sure you understand the author’s point or motivation behind the story they are trying to tell. <br /><br />Also, be respectful if the genre is not your usual genre you are being asked to review. Study up on the areas you lack experience so that you can offer constructive advice. Do not cast it off as it not being you area of expertise. After all, you are trying to help the author reach their goals, not your own.<br /><br />If you can be objective and respectful while offering worthwhile advice, you have provided a great service to the author. <br /><br />Good luck and keep plugging away.<br /><br />Copyright 2009 Lynn TincherThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com0tag:blogger.com,1999:blog-9017362356347843305.post-77912230619171100902009-02-17T06:19:00.000-08:002009-03-30T15:16:34.237-07:00Finding Writing Classes - Laura GriffithFinding Writing Classes - Laura Griffith (laura@gramscrackers.net)<br /><br /><br />I have found that finding legitimate writing classes is just as hard as breaking into the writing industry itself. You have to be very careful about getting taken advantage of, or giving your money to people with less than perfect intentions – especially with online courses. <br /><br /><br />If you do a Google search for writing classes, you can come up with 65,700,000 results – many of which are probably not legitimate. That is not to say that you can’t find legitimate writing classes that would be worth your while- even on-line. Just – like anything – do your research. <br /><br /><br />There are a number of ways to weed out classes. First, you can always use word of mouth. If a trusted friend or a well-respected writer you know has taken a class and gotten use out of it, it is probably okay. Another way to find a good course is to find a book at your local library or bookstore that lists out legitimate writing classes. But, as always, it is important to trust your sources. The best and easiest way to get involved with a good writing class – is to do it through your local college. A lot of community colleges and universities offer creative writing courses that can stimulate your talents and hook you up with good contacts. Another good source to use is your local library. A lot of local libraries offer creative writing seminars and writing groups. And the best part about getting involved in a group like that is that fellow writers or instructors can also give you ideas for additional writing classes. So, like any other part of this industry, once you are in – you can find people to help you make good decisions for future endeavors. <br /><br /><br />However, always remember that it is up to you to do what is right for you. If a class you are researching does not seem right for some reason, trust your instincts. If it is a class that you cannot afford, do not go out of your way to come up with money for that class. There are good classes or seminars you can take that are cheap – some even free. You just have to know where to look.<br /><br />Copyright 2009 - Laura GriffithThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com1tag:blogger.com,1999:blog-9017362356347843305.post-42718004598670756862009-02-09T16:55:00.000-08:002009-03-30T15:16:34.237-07:00Developing a Turning Point - Lynn TincherWikipedia has the perfect definition of what a turning point would be.<br /><span style="font-style:italic;"><br />In a prose work of fiction, the climax often resembles that of the classical comedy, occurring near the end of the text or performance, after the rising action and before the falling action. It is the moment of greatest danger for the protagonist(s)(good people of the story) and usually consists of a seemingly inevitable prospect of failure, followed by a hard-to-anticipate recovery. For example, if you were on a roller coaster, the highest part of it would be the climax.<br /><br />A climax includes three elements. The most important element is that the protagonist experiences a change. The main character discovers something about himself or herself, or another unknown character. The last element is revealing the theme itself.</span><br /><br />There has to be a turning point or change in the circumstance as a result of a crisis in the story. The protagonist needs to learn something or the situation must change in some way. The turning point does not have to be dramatic, just a change. <br /><br />There can be several turning points in a story. Be careful not to include too many or you may confuse your reader. Don’t assume they can fill in the blanks and see or understand the points you are making. If you use many turning points, help guide your reader through them. After all, developing a turning point could make all the difference in a story that has been submitted for publication, and the one that gets published.<br /><br />Good luck and have fun.<br /><br />Copyright 2009 Lynn TincherThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com1tag:blogger.com,1999:blog-9017362356347843305.post-36806400696459591172009-02-02T16:29:00.000-08:002009-03-30T15:16:34.237-07:00A Resolution with CharacterAre you the master of only great beginnings? Do your stories end with fireworks or just sort of a fizzle? Endings and resolutions are a struggle for many writers, however focusing on character can help you ‘resolve’ the issue.<br /><br />Too often, writers focus on the storyline, when all great stories reside in the characters. It’s as if they were building a beautiful city without taking the potential inhabitants into consideration. But characters are what give a story heart and soul. It is their emotions, struggles and triumphs that draw in the reader. It stands to reason then that the resolution should revolve around this powerful force.<br /><br />When inspiration strikes, focus on at least one main character before devising the plot. Create a profile sheet on this character, or several if possible, and flesh these individuals out in full detail. Consider each one’s background and basic personality type. Give these individuals ambitions and weaknesses as well as strengths. No one is perfect, so make the characters flawed, diverse and interesting.<br /><br />Even if the story is just a wisp of an idea, characters should still be created. If you envision a murder at a ski resort, then who is involved? If it’s a fantasy setting, who inhabits this world? Regardless of the setting, the story must contain characters that catch the reader’s attention and interest. Take the time now to create these individuals.<br /><br />Armed with a few well-defined characters, you may find the resolution lies within their flaws. Often one or more individuals’ weaknesses not only become the crux of the story but the resolution as well. A character with a significant shortcoming could overcome this challenge in the end. A reluctant hero on a quest might harbor internal struggles that must be resolved in order to achieve victory. An overconfident and selfish character may eventually discover a little humility. Analyze the weaknesses and consider how one might triumph over such an imperfection. Take advantage of your character’s greatest fault!<br /><br />Depending on the tone of your work, the character might not reveal his flaw until the very end. The hero could turn out to be the villain. Talk about a twist ending! A character might make a vital mistake in the last scenes of the story, ending in defeat rather than triumph. A secret could come back to haunt that individual. Perhaps it might even result in the death of the character. There are many genres where this type of resolution is perfectly suited.<br /><br />Sometimes it is not so much a character’s flaws but his goals that provide a resolution. I used this idea for the first book in my series, The Circle of Friends. I envisioned a swimmer, and my ending became obvious when I inserted the word Olympics. What are your character’s ambitions? If he is a treasure hunter, then discovering the mother load in an ancient temple might be a fitting resolution. Whether the goals are political or athletic, personal or business, a resolution may easily lie in the accomplishment of a dream.<br /><br />With any journey, there must be a destination worthy of the travel. Before investing heavily in the plot, create the inhabitants of the scene and allow them to contribute to the resolution. Not only will great endings reveal themselves more rapidly, you’ll find the entire storyline process easier and more enjoyable. And that joy is why we write in the first place!<br /><br />- Author & professional speaker, L. Diane Wolfe www.spunkonastick.net www.thecircleoffriends.net<br /><br />Copyright 2009 - L. Diane WolfeThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com2tag:blogger.com,1999:blog-9017362356347843305.post-59709717446316961442009-01-26T17:04:00.000-08:002009-03-30T15:16:34.238-07:00Developing a Crisis - by Lynn TincherDennis G. Jerz descibes the differences between a crisis and conflict as this:<br /><br />Summary: Good storytellers differentiate between a crisis (an emergency, such as a car crash or an illness) and conflict (a clash of wills, a difficult moral choice, or an internal mental struggle). Beginning authors often focus on the exciting crisis rather than the conflict that makes readers care about the characters enduring the crisis. <br /><br />http://jerz.setonhill.edu/writing/creative/crisis-vs-conflict.htm<br /><br />A crisis can be a small part of the over all conflict. Adding a small crisis or two within your story can help define your characters and how they react to the crisis. These will lead to the moral dilemmas or the clashes of wills described above. Everyone loves to see their characters overcome each crisis and you can control what they will endure and what the outcome will be.<br /><br />The crisis can define your characters persona. They are that which develops personalities and strengths or weaknesses. Design your crisis carefully. They can help show what is happening instead of just telling.<br /><br />Check out Mr. Jerz website above. There is a lot of good information that will help you in your story.<br /> <br />Copyright 2009 Lynn TincherThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com0tag:blogger.com,1999:blog-9017362356347843305.post-68300970145636828322009-01-19T11:23:00.000-08:002009-03-30T15:16:34.238-07:00Play WritingI've never written a play longer than one scene, although I've helped produce several and performed in many. I majored in Drama in college so I've seen my fair share of them. My husband is a playwright and the screenplay for my first book is in the works. To sit down and write a play seems as foreign to me as speaking French or Italian.<br /> <br />While doing research for this article, it hit me. I've heard the roar of applause while on stage for a performance or for the production of one. I would love to hear it for one that I had written. It's not easy to take a great play and turn it into a great performance but to actually write the great play has to be a major accomplishment that I hope to one day experience.<br /> <br />How do I get started? What is the format? Here is a quick list from Playwriting101.com of what a play should include.<br /> <br />Title Page<br />Cast Page<br />Musical Numbers Page (musicals only)<br />Act/Scene Heading<br />At Rise Description<br />Character Name<br />Dialogue<br />Stage Directions<br />Transition<br /> <br />The first act is the Protasis, or exposition.<br />The second act is the Epitasis, or complication.<br />The final act is the Catastrophe, or resolution.<br /> <br />Do your research. Find software that can help you. I encourage all authors to take a swing at this. This is a great way to stretch your imagination. Try something new. You may just find your niche.<br /> <br />Listed below are a couple of websites that will help. Most importantly, have fun!<br /> <br />www.playwriting101.com/<br /> <br />http://www.stageaffair.com/<br /> <br />Copyright 2009 Lynn TincherThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com0tag:blogger.com,1999:blog-9017362356347843305.post-69007535322763105942009-01-12T08:18:00.001-08:002009-03-30T15:16:34.238-07:00Keeping a Positive Attitude - Lynn TincherYou've heard me preach this before and you already know this to be true, but getting published is a very hard thing to accomplish. Anyone that has submitted a query letter to agents and publishers knows that the rejection letters will pour in. How do you keep a positive attitude through it all?<br /> <br />Being prepared can help. Knowing you will receive rejections will help you cope with them they roll in. Agents and publishers are very busy people. Don't take their rejections personally. Most of the time, they reject authors just because they don't have time to read their material. If any of you have seen their offices have probably seen the mounds of material begging for attention. I had several agents actually take to time to help me and offer advice. By keeping a positive attitude about it, I listened to their advice, plugged along, and learned as I went.<br /> <br />Believing in you is the key to survival in this world. You know how good your story is. You know how long you've worked on it. You've packaged it up with a great big read bow! Believe in it and believe in you. You did it. How many people have started their first novel and never finished it? I was one of those for a long time so I was really proud of what I had done when I finally finished it. You've poured your heart and soul into something you believe in. Others will believe in it too. You will find the right place and time to show it to the world. <br /> <br />You will run into others that are negative energies and will bring you down. If they offer good advice, take it, but don't let their negativity seep through to you. I know how hard it is to not let that happen. When it does, don't dwell on them. Seek out the good things. Reinforce what you've accomplished with yourself. It is some people's lot in life to be negative and it really has nothing to do with you anyway.<br /> <br />Find websites or subscribe to newsletters to help you keep up a positive attitude in your life as well. It's amazing how a holistic view of positive things in every aspect of your life can help you reach any of your goals. Good luck and let me know how it's going!<br /> <br />Most importantly, hang in there. Be positive. Don't ever give up. <br /> <br />Copyright 2009 Lynn TincherThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com1tag:blogger.com,1999:blog-9017362356347843305.post-7804042294334814742009-01-12T08:17:00.000-08:002009-03-30T15:16:34.238-07:00Keeping a Positive Attitude - Laura GriffithIn any book you pick up on publishing your writing; you'll get countless bits of advice on how to handle various situations. One of the situations that will inevitably befall any writer is rejection. It hits you hard, especially the first time. It's difficult enough to pour your heart and soul into any piece of writing - and the time you put in is precious - and draining. So much so that when it's done, you might even have tears in your eyes to have completed your "masterpiece". At that point, it's your baby. And after numerous revisions and drafts, you're ready to send it out for the world to see. You might even have dreams of how your writing is going to change the world and how you'll make it on the New York Times Best Seller list. All of those dreams and fantasies start to fade with the first rejection letter you get - and all the ones that follow. Or, worst yet is the frustration with the complete lack of response from an agent (or a number of agents) who you queried with your brilliant idea. And as month after month - or year after year - ticks by, you start to wonder if writing is worthwhile and if your dreams will ever come true. <br /><br />Stop right there. One of the best things I ever read about writing is: if you write because you love it and you write because your passion for it keeps you writing - you are a writer. Do not let yourself believe for a second that because an agent or a publisher has not discovered you yet that you are not a writer. And when you are discovered, chances are that someone will tell you that that masterpiece you wrote is not perfect. They will want changes and revisions - some of which you may or may not agree with. Take everything in stride, and if there is something you feel strongly about - make the argument. But remember that a piece of writing is like a work of art or a piece of music. It takes tuning and practice. <br /><br />So, while you're waiting for that agent to respond or that publisher to finish with their revisions, start your next masterpiece. After all, you are a writer, and writing regularly is what will keep your passion for it alive despite the rejections. And, just like any art, there will be rejections. The first song a songwriter writes and the first painting a painter paints - most likely will sit in a drawer unshared and unsold - until they are discovered. The same is true for writing. And the best way to keep a positive attitude about it is to remember why you wanted to write to begin with. Use your dreams and goals to motivate you, but don't let the fulfillment of those goals define you as a writer. You are a writer because you write.<br /><br />Copyright 2009 Laura GriffithThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com0tag:blogger.com,1999:blog-9017362356347843305.post-47155714621955235892009-01-07T10:34:00.000-08:002009-01-07T10:35:15.332-08:00SPAN Connection Feature<a href="http://4.bp.blogspot.com/_25CRQhjBWC0/SWT13pkbYuI/AAAAAAAAAAo/VA4cmcf33Mg/s1600-h/Slide1.JPG"><img style="cursor:pointer; cursor:hand;width: 240px; height: 320px;" src="http://4.bp.blogspot.com/_25CRQhjBWC0/SWT13pkbYuI/AAAAAAAAAAo/VA4cmcf33Mg/s320/Slide1.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5288622198840058594" /></a><br />Hey guys! I had a small feature in the December edition of the Small Publishers of North America's newsletter. Bottom right hand side!The Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com1tag:blogger.com,1999:blog-9017362356347843305.post-11557071191290940892009-01-05T13:59:00.000-08:002009-03-30T15:16:34.239-07:00Getting Ideas by Laura GriffithLast year I attended the Midwest Literary Festival in Aurora, Illinois which consisted of book sales, presentations, and seminars for various types of writers. (Very highly recommended, by the way) One of the seminars I attended was on where and how writers come up with ideas for stories – an interesting topic but not a problem that I have faced as I writer. The writers who were on the panel actually shared my feelings on the subject. They (and I) believe that finding a story to write is rarely the problem – the issue becomes planning it out and getting the complete story down on paper (or computer). <br /><br /><br />I have heard before that there are only a few unique stories out there that are just retold over and over in different ways. I disagree. There are unique stories everywhere we look – the news, history, and in everyday life. Inspiration for a story can come from so many places. That is why it is important for you, as a writer, to carry around a journal or PDA to take notes or jot down ideas at all times. Then, when a story idea materializes – at work, watching TV, or sitting on a bus – write it down. Even if you are currently working on a project, you can file away these ideas for when you are ready to start something new. Or, if you are struggling with an idea or scene you are working on, it is helpful to take up the hobby of people-watching. Sit in a coffee shop or a park and watch the people around you. Make up a story about a situation you see and write it down. It may be silly, and you may never use it or show a soul. But it is a great story-telling exercise because each individual we talk to or pass on the street has a unique story. It’s just a matter of how to tell it.<br /><br />laura@gramscrackers.net<br /><br />Copyright 2008 Laura GriffithThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com0tag:blogger.com,1999:blog-9017362356347843305.post-6977207443861010142009-01-05T13:57:00.000-08:002009-03-30T15:16:34.239-07:00Characterization - Get Real! by L. Diane WolfeCharacterization: Get Real!<br /> <br />If the plot is the backbone of the story, then the characters are the heart. Creating believable characters that your readers will identify with is crucial to a good story. Your characters must have depth, personality and the ability to evoke an emotional response from your reader.<br /> <br />Before you can formulate a riveting story, an interesting character must be devised. Many writers envision the setting first and the people inhabiting that world second. This often results in shallow characters. Developing a character in depth, complete with flaws, will give you a basis for your narrative. It is easier to build a plot around an individual than force that character into unrealistic situations.<br /> <br />Two factors will determine your character – their background and their personality type. Both are equally important and require some thought. Humans all share similar feelings and needs, but how they respond to those depends on their upbringing and their basic, fundamental personality. You need to be aware of these factors when writing your story. <br /> <br />Backgrounds are as varied as humans themselves. Race, culture, religion, and economic status all contribute to one’s development as a person. A person’s moral compass is easily affected by their upbringing, and you need to keep this in mind when creating your characters. A person raised by a loving family on a farm and someone raised on the streets of New York will not react the same! Flesh out your character with a family history, interests, and experiences.<br /> <br />Become familiar with the four basic personality types – choleric, sanguine, melancholy and phlegmatic. They will also determine how your character reacts in any given situation. (“Personality Plus” by Florence Littauer is an excellent book for researching these personality traits.) A bold, first-born choleric would likely take charge in a situation, while an introverted phlegmatic would step aside. You need to be aware of these personality traits in your character or you will find them responding in a dubious fashion.<br /> <br />Avoid the temptation to create a perfect character! People are flawed creatures and the more imperfections and internal conflicts your character possesses, the more intriguing your story. Give them weaknesses, impulses and unresolved issues. Negative aspects of your character might improve and eventually vanish, but this needs to be developed slowly during the course of your narrative. Life altering moments happen for us all, but a sudden change for no apparent reason will be looked upon as a mere plot contrivance.<br /> <br />Characters will always be the drive and focal point of any story. By putting a great deal of thought into your main characters, you will form interesting, relatable people. Once you have established this foundation, you can begin creating an intriguing tale!<br /> <br /> - Author & speaker, L. Diane Wolfe, www.thecircleoffriends.net<br /><br />Copyright 2008 L. Diane WolfeThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com1tag:blogger.com,1999:blog-9017362356347843305.post-34289273486303331312009-01-05T13:55:00.000-08:002009-03-30T15:16:34.239-07:00Successful Interview or Bust by L. Diane WolfeSuccessful Interview or Bust! <br /><br /><br /> Interviews are a necessary component of an author’s success. We are interviewed for newspapers, magazines, blogs, podcasts, radio, and even live TV! Our success in this area can affect book sales and the opportunity to acquire more interviews. So, what does it take to increase the odds of a good interview?<br /><br /> Few of us have innate oratory talents. However, we still need to effectively communicate our message during an interview. Public speaking courses and organizations such as Toastmasters can improve our ability to properly convey ideas and concepts. A media specialist or trainer can also prepare an author for interviews. Poor grammar and mannerisms need to be eliminated long before making a public appearance. Halted speech, slow responses, and neurotic gestures will unnerve listeners and viewers, not to mention the host! We must be smooth, polished and professional before stepping into the limelight.<br /><br /> To acquire interviews, we need to master our pitch. The media seeks those who can solve the problems of their audience. A good story idea or ‘hook’ is essential. It basically comes down to solving the audience’s problems based on the knowledge gained from writing our book. However, just one story idea will not fit the requirements of every media outlet. We need to understand what each reporter or producer seeks. This information gives us an edge over those who send formula pitches to everyone in the media. Providing actual interview questions will make the reporter’s job much easier, too. <br /><br /> When contacted for a possible interview, we’ve got to be prepared! Keep a calendar and press kit handy for easy reference, and return all phone calls as soon as possible. Some reporters will simply visit our website, so all pertinent information must be in our pressroom. If asked to do a radio or TV interview, we’ve got to be flexible with our schedule. If we sound sharp, organized, and energetic, we stand a better chance of booking the interview. <br /><br /> Once we’ve set a date, a few key details must be taken care of before the interview. Make sure the interviewer has all the important information, facts, and any images or web addresses necessary. Review the interviewer’s personal and professional data. For in-person interviews, dress professional and sharp but not flashy. Remember that TV interviews will require the attachment of a microphone on our person. Be sure to bring a book or other required materials to the interview. Most important – show up on time! Nothing kills the opportunity for future interviews like arriving late or not at all.<br /><br /> During the interview, direct all comments and answers toward the host unless instructed otherwise. (A giant TV camera does not appear so daunting then!) Act as if it’s just a conversation between friends. The station or interviewer is on a schedule, so keep answers short and to the point. The purpose of the interview is to inform the audience, so refrain from excessive self-promotion. Phrases such as “Well, you’ll just have to read the book!” should be avoided completely as well. If the question is tough or cannot be directly answered, take a deep breath before replying. Most people in the media are friendly and simply trying to do their job, but try to avoid a confrontation with a feisty interviewer if at all possible. Winning the argument only means we lose out on future interviews!<br /><br /> Remember to thank the interviewer and send a thank you card as well. So many people forget this basic courtesy! Coupled with a good interview, a personalized thank you encourages the interviewer to consider us for future interviews.<br /><br /> In the world of promotions, interviews and features are vital. Make the most of every opportunity! <br /><br /><br /> - Author & professional speaker, L. Diane Wolfe, www.thecircleoffriends.net <br /><br />Copyright 2008 L Diane WolfeThe Literary Lynnch Penhttp://www.blogger.com/profile/06906459634928706175noreply@blogger.com0